The Criterion Collection
The Daily
May 1, 2019 — With three, possibly four new films opening this year, Ferrara returns to New York to attend MoMA’s retrospective.
Apr 30, 2019 — In 1979, at the age of twenty-eight, Gillian Armstrong shot to international prominence with her first feature, My Brilliant Career, a beautifully realized tale, set in the turn-of-the-century Australian bush, about a young woman with ambitions of becoming a writer....
The Daily
Apr 30, 2019 — With its fresh vision, and yes, box office success, Boyz n the Hood (1991) made Singleton a force to be reckoned with for nearly three decades.
The Daily
Apr 25, 2019 — A guide to the guides to this year’s edition.
Apr 23, 2019 — The independent program will premiere new work by Robert Eggers, Lav Diaz, Bertrand Bonello, Rebecca Zlotowski, Takashi Miike, Luca Guadagnino, and Ariane Labed.
Apr 22, 2019 — The independent program of first and second features spotlights fresh talent from around the world.
Interviews
Apr 15, 2019 — It’s one thing to have wild cinematic ambitions, and quite another to pursue them without a strong technical skill set and years of apprenticeship in the craft. But from the beginning of his career, the twenty-nine-year-old, mostly self-taught filmmaker Bi...
The Daily
Apr 10, 2019 — The Dead Don’t Die, a zombie comedy, will put an army of stars on the red carpet.
On the Channel
Apr 8, 2019 — We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...
The Daily
Mar 29, 2019 — Fresh assessments of the work of Chris Marker and Stanley Kubrick, an interview with Kent Jones, and that stellar year for American cinema, 1999.