These Three

May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...

May 18, 2019 — Diop’s debut fiction feature is a love story, a detective story, and a ghost story.

May 15, 2019 — It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...

May 10, 2019 — This week has seen surveys of the careers of Abbas Kiarostami and screenwriter Jean-Claude Carrière and deep dives into milestone works by George Cukor and Andrei Tarkovsky.

May 7, 2019 — Humming light sabers weren’t the only thing going on during the maligned decade.

May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...

May 6, 2019 — Greta Garbo, Anita Loos, Ernst Lubitsch, Ben Hecht, and Salka Viertel cross paths in this month’s round.

May 3, 2019 — BAM’s Black 90s series, Nina Menkes, a poet, Avengers, and a list of the top films of the 2010s are among this week’s highlights.

May 2, 2019 — The new issue features essays on work by Joanna Hogg and Olivier Assayas and a celebration of its publisher’s fiftieth anniversary.

May 2, 2019 — When I first saw My Brilliant Career, when it was released in New York in 1980, I was ignorant of director “Gill” Armstrong. I assumed she was a man, because at the time I could count the female directors I...