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The Town

Dec 11, 2019 One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...

Sep 16, 2019 In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...

Jun 14, 2019 Starting this weekend, Janus Films is putting Jennie Livingston’s extraordinary snapshot of Harlem’s drag balls of the 1980s back on the big screen.

May 24, 2019 Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.

Mar 18, 2019 One Scene When Jia Zhangke made his 1997 feature debut, Xiao Wu, he was rebelling against decades of tradition that had drawn a hard line between cinema and reality. Chinese film history is rooted in genres found in classical theater...

Mar 12, 2019 By dint of perseverance, Harold Lloyd, the modest son of Burchard, Nebraska, became the prince of Hollywood, California, where he lived the Horatio Alger dream. His life and his memorable films alike echo Alger’s theme of young men who apply...

Jul 22, 2018 Sex, shame, and sibling rivalry: actors Andie MacDowell and Laura San Giacomo talk about capturing the layers of conflict and taboo in Steven Soderbergh’s debut feature.

May 18, 2018 Critics split over this “urban western,” Garrone’s fourth film in competition.

Apr 18, 2018 Before we lost Milos Forman and Vittorio Taviani over the weekend, the Slovak Spectator reported that Juraj Herz, the Czech actor and director best known for his 1968 film The Cremator, had passed away at the age of eighty-three. Just...

Apr 3, 2018 A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

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