The Criterion Collection
Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...
Features
May 27, 2020 — Walking, like breathing, is something we do without thinking, an activity so commonplace that pedestrian has as its second meaning uninspired, ordinary, dull. Movies, however, reveal this action as more than just the original mode of getting from here to...
Features
Mar 6, 2020 — Above photo: © Chuck Stewart Photography, LLCIn America, black musical genius has never been in short supply, though it hasn’t always been recognized or fairly compensated. Even a casual glance at the résumé of formally trained composer, producer, and arranger...
Feb 21, 2020 — Songbook “In an instant, I remembered everything.” The Cure, “The Walk” It’s the mid-1980s, and a student in a black leather jacket walks down the hall of Polytechnic of North London. Her hair is dyed a shocking orange, maybe to...
The Daily
Feb 5, 2020 — MoMA’s annual festival of nonfiction film and media is “eclectic by design.”
Essays
Jan 7, 2020 — Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...
The Daily
Dec 10, 2019 — Colleagues, students, and other admirers remember an essential figure of film and media studies.
The Daily
Nov 21, 2019 — A richly varied showcase of Korean films made between 1996 and 2003 opens in New York.
The Daily
Nov 1, 2019 — Jonathan Glazer and Michael Mann return, Parasite fever burns on, and Paul Harrill rolls out his acclaimed second feature.
May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.