Sep 29, 2017 “A ravishing visual colossus, Blade Runner 2049 more than lives up to its predecessor’s legacy as a groundbreaking mixture of sound, images and mood,” begins Screen’s Tim Grierson. “This long-anticipated sequel’s screenplay sometimes struggles to keep pace, but director Denis...

Sep 29, 2017 New York. The big event in town is, of course, the New York Film Festival, which gets going in earnest today following last night’s premiere of Richard Linklater’s Last Flag Flying. At the top of the NYFF 2017 Index, I’ve linked to an interview with festival director Kent...

Sep 27, 2017 The fifty-fifth edition of the New York Film Festival opens tomorrow and runs through October 15. In his latest “Cinema ’67 Revisited” column for Film Comment, Mark Harris looks back at the fifth edition, noting that “Susan Sontag began her...

Sep 27, 2017 In conjunction with a new edition of Stan Brakhage’s Metaphors on Vision, we’re sharing a selection from the opening pages of this seminal work.

Sep 25, 2017 Last year, I Am Not Madame Bovary premiered at the Toronto International Film Festival, where it won the Special Presentations award from the International Federation of Film Critics (FIPRESCI) and would go on to win the top award at the...

Sep 22, 2017 New York. Ben Kenigsberg flags three items in the Times, starting with Art House Theater Day, “a day in which cinemas across the United States and Canada will offer special programming in a show of celebration.” In New York, Thelma...

Sep 21, 2017 The big “in the works” news today is the release of the trailer for Wes Anderson’s Isle of Dogs, embedded below. According to the official synopsis from Fox Searchlight, Anderson’s second stop-motion animated feature after Fantastic Mr. Fox (2009) “tells...

Sep 21, 2017 The editors of Senses of Cinema open Issue 84 with a “near exhaustive dossier” on Christian Petzold and a second entitled “Sartre at the Movies.” Here, “one of the world’s foremost scholars of French cinema, Dudley Andrew, explores the ideas...

Sep 20, 2017 New York. “Like a modern character from Crete’s ancient Minoan culture, trailblazer artist Joan Jonas weaves symbols and media to transfigure feminist and psychological themes,” writes Mónica Savirón for BOMB. “Her work juxtaposes sculpture, painting, film, video, and performance as...

Sep 17, 2017 Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.

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