The Criterion Collection
The Daily
Oct 30, 2025 — The Portuguese filmmaker is on an informal tour of the U.S, presenting and discussing her work and influences.
Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.
Oct 29, 2025 — In her intensely personal debut feature, the filmmaker and poet investigates the myths that have shaped South African history through a mix of archival footage, poetic remembrances, and conversations with friends and family.
The Daily
Oct 28, 2025 — Selections from the independent Cannes sidebar will screen in New York and Los Angeles.
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
Essays
Oct 28, 2025 — An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.
Oct 27, 2025 — The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.
The Daily
Oct 27, 2025 — The Melbourne Cinémathèque presents vibrant and enduring mashups of melodrama and social realism.
Features
Oct 24, 2025 — This French art-horror master shocked audiences with a string of sexy vampire movies often centered on complex female friendships and women-ruled fantasy worlds.
The Daily
Oct 23, 2025 — For many critics and fans, the only problem with the five-hour series is that it isn’t twice as long.