The Criterion Collection
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
Essays
Mar 19, 2019 — A few weeks after Barbara Loden, the writer, director, and star of Wanda, died at age forty-eight after a long battle with cancer, Elia Kazan, her widower, was interviewed by Marguerite Duras for Cahiers du cinéma. It was 1980, and...
Jan 25, 2019 — Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...
The Daily
Nov 2, 2018 — The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.
Sep 5, 2017 — Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...
The Daily
Sep 1, 2017 — “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most indelible of them all is borrowed from...
May 18, 2017 — “Like a Judd Apatow thriller or a Michael Haneke kids flick, the concept of a Claire Denis comedy at first sounds like a contradiction in terms,” begins Jordan Mintzer in the Hollywood Reporter. “After all, the 71-year-old French auteur, whose...
On the Channel
Dec 13, 2016 — Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...
Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”
Nov 4, 2015 — Linklater circa 1990 In 1985, six years before the release of Slacker, Richard Linklater's iconic portrait of a generation, the Texan filmmaker founded the Austin Film Society. The group began as a small band of cinephiles eager to see classic,...