The Criterion Collection
Jun 12, 2008 — Spring is ready to surrender to summer here in the Big Apple, and in keeping with my intentions, I sat down and watched The Love Parade and Monte Carlo from the Lubitsch Musicals Eclipse set. I found them to be...
Aug 14, 2006 — The Bakery Girl of Monceau and Suzanne’s Career are not Eric Rohmer’s first films. By 1963, he had made several shorts and one feature, Le signe du Lion. Yet these two short works—with their meticulously charted Paris locations; their semidocumentary...
Essays
Feb 1, 1999 — Rob Reiner’s directorial debut documents a recent moment in the band’s checkered history—one that only coincidentally represents a brief decline in the sine wave of their careers.
The Daily
Sep 8, 2023 — We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.
The Daily
May 29, 2020 — This week we’re learning about one of the world’s first tracking shots and catching up with Guy Maddin, Lewis Klahr, Sarah Cooper, and Steve Buscemi.
The Daily
Sep 29, 2023 — The week brings conversations with Hal Hartley, Todd Haynes, Christine Vachon, Pedro Costa, Wang Bing, and Rita Azevedo Gomes.
Features
Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.
Sep 22, 1997 — If one writes a great chapter in a novel, it will seldom be taken out of a book for reasons of time or rhythm. A novel allows you longer arms, a deeper breath. Anthony’s scenes of Kip in England, which...
Essays
Dec 2, 1991 — Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...
The Daily
May 20, 2026 — There’s zero consensus when it comes to the latest films by Na Hong-jin and Cristian Mungiu.