May 28, 2019 Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.

May 27, 2019 The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.

May 24, 2019 From the delicate ennui of 2003’s Tokyo-set Lost in Translation through the languorously evoked nineteenth-century South of 2017’s The Beguiled, Oscar winner Sofia Coppola has, over the last two decades, established herself as one of contemporary cinema’s most stylistically adept and...

May 24, 2019 In the spotlight this week: Barbara Rubin, Chantal Akerman, Kenji Mizoguchi, Dominik Graf, and Tomás Gutiérrez Alea.

May 23, 2019 Our survey of this year’s edition begins with the first animated feature to take the top award.

May 22, 2019 Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.

May 20, 2019 Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.

May 19, 2019 The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.

May 16, 2019 One of the key ways that Michael Haneke ropes viewers into Funny Games, his relentless, provocative psychological thriller about a brutal home invasion, is by regularly breaching the fourth wall. In the 1997 film, two high-spirited young men in tennis...

May 16, 2019 All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.

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