The Criterion Collection
Features
Nov 15, 2019 — It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...
The Daily
Nov 13, 2019 — TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.
Nov 13, 2019 — Flowers and vegetables pulse, slither, and take dirigible flight; a horse becomes a pampered, petulant lover; a diminutive porcelain mouse transforms into a muscled superhero to save a beleaguered heroine: these are just some of the arresting images in the...
Nov 12, 2019 — The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...
Features
Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...
The Daily
Nov 5, 2019 — What began as an artificially stoked-up controversy has led to a vital statement on the present and future of cinema.
The Daily
Nov 1, 2019 — Jonathan Glazer and Michael Mann return, Parasite fever burns on, and Paul Harrill rolls out his acclaimed second feature.
The Daily
Oct 31, 2019 — A series of films by one of India’s greatest and most fiercely independent directors opens in New York.
On the Channel
Oct 29, 2019 — Check out what’s in store next month on our streaming service!
Features
Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...