The Criterion Collection
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Nov 28, 2017 — Ahead of the Christmas Day opening, preview screenings of Paul Thomas Anderson’s Phantom Thread in New York and Los Angeles began over the weekend and will continue through Thursday. Variety’s Kristopher Tapley suggests that “if you define a film as...
Nov 27, 2017 — New York. For the Village Voice, Leo Goldsmith surveys the Film Society of Lincoln Center series The Non-Actor, running now through December 10: “Drawing together nearly three dozen films, the program traces a fascinating lineage of amateur performance across history,...
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Nov 27, 2017 — On May 1, 2001, Dieter Kosslick took over as director of the Berlin International Film Festival, following Moritz de Hadeln, who’d held the job for twenty years. On May 31, 2019, the day after his seventy-first birthday, Kosslick’s current contract...
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Nov 23, 2017 — Considering how reticent David Lynch can be when it comes to talking about his work, Daniel Fienberg’s fared pretty well in his conversation with him for the Hollywood Reporter. At one point, they discuss the stamina it takes to direct...
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Nov 21, 2017 — Ernst Lubitsch’s “world is defined by time as much as place,” writes Daniel Witkin in the latest entry in Reverse Shot’s symposium on time. “Anachronistically straddling the 19th and 20th centuries, his characters embody unfashionable virtues of discretion and tact...
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Nov 20, 2017 — “Charles Manson, the hippie cult leader who became the hypnotic-eyed face of evil across America after orchestrating the gruesome murders of pregnant actress Sharon Tate and six others in Los Angeles during the summer of 1969, died Sunday after nearly...
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Nov 18, 2017 — Don Hertzfeldt “has created a singular universe of stick figures in crisis,” writes David Ehrlich, introducing his interview for IndieWire. “One of life’s few perfect things, World of Tomorrow [2015] is as mordantly funny and existentially fraught as anything Hertzfeldt...
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Nov 16, 2017 — “Hong Sang-soo has a reputation for being a tricky interview, and he knows it,” writes Darren Hughes in the Notebook. But if anyone can get Hong talking, it’s Hughes. Take a look at this page. Gathered here are some of...
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Nov 12, 2017 — In Wayne and Ford: The Films, the Friendship, and the Forging of an American Hero, Nancy Schoenberger “has hidden a provocative thesis,” suggests Stephen Metcalf, writing for the Atlantic. “She asks us to remember the beauty of masculine self-mastery as...
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Nov 10, 2017 — New York. “The star of Lost Landscapes of New York is the city itself—or rather the city of dreams and memories,” begins Manohla Dargis in the New York Times. “Created by the archivist Rick Prelinger, this wondrous compilation turns old...