Mom

Jun 15, 2021 — These landmark documentary portraits of intergenerational struggle in Seattle expose social horrors while also revealing the humanity of their subjects.

Jun 15, 2021 — The publisher is launching Erika Balsom’s book on James Benning’s 2004 film and preparing a beautiful hardcover supplement to Apichatpong Weerasethakul’s Memoria.

Jun 14, 2021 — Postwar Hollywood’s quintessential heavy wields his signature mix of brutality and neurosis to embody an abusive husband in Max Ophuls’s psychological drama.

Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

Jun 10, 2021 — As the festival presents its program to the public, now is a good time to discover the bounty at the Forum’s newly revamped site.

Jun 9, 2021 — Lois Weber was Hollywood’s leading female director in the 1910s and 1920s. But also: she was one of the great directors of the silent era regardless of gender, a filmmaker of remarkable vision who exerted an exceptional degree of creative...

Jun 4, 2021 — We’re catching up with the new issues of Bookforum, the Brooklyn Rail, and Field Notes and delving into the work of Bill Gunn and Tsai Ming-liang.

Jun 1, 2021 — Valeria Sarmiento and the Chilean production company Poetastros have launched a campaign to complete Raúl Ruiz’s Socialist Realism.

May 28, 2021 — This week: Anarchy on screen, a pre-Code barroom brawl, an essay on Julie Dash, and conversations with Jia Zhangke and Sergei Loznitsa.

May 27, 2021 — First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...