Sep 3, 2019 Early reviews of Gray’s space odyssey are strong—and even stronger for Brad Pitt.

Sep 3, 2019 The twenty-five-year-old Marco Bellocchio certainly didn’t pull any punches with his stylish, subversive debut feature. Following a young man (Lou Castel) in the provinces who sets out to do away with his own dysfunctional family, Fists in the Pocket (1965)...

Bitter Harvest

Features

Sep 2, 2019 Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...

Aug 30, 2019 This week, a feminist journal folds, a filmmaker pens a manifesto, and Richard Linklater commits to a twenty-year project.

Aug 28, 2019 1. Before he became a filmmaker, D. A. Pennebaker’s ambition was to play stride piano like Fats Waller. “What changed your mind?” I asked him. “Well,” Penny replied, “after I saw Fats play . . . ” Penny would have...

Aug 28, 2019 Over the course of their legendary thirty-five year creative partnership, director Yasujiro Ozu and screenwriter Kogo Noda together conceived twenty-seven films, many of them masterpieces. Their long, close collaboration—which produced such gently profound, internationally celebrated family portraits as Late Spring...

Aug 27, 2019 In the run-up to Venice, Telluride, and Toronto, New York announces its retrospective and revivals.

Aug 20, 2019 For the past twelve months I’ve been re-plunging into Ingmar Bergman. It began with a conference in Lund, Sweden, in June of 2018, to mark the centennial of his birth; numerous experts, among them contributors to Criterion’s mammoth edition last...

Aug 19, 2019 Vitalina Varela leads this year’s award winners at the Locarno Film Festival.

Aug 13, 2019 As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”

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