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Jul 23, 2021 — This week’s highlights take us to Nigeria, Egypt, Sardinia, and Japan.

Jul 20, 2021 — Dismissed as gossip-column fodder in its time, Jacques Deray’s cooly enigmatic villa thriller is an exploration of masculine vanity and feminine disillusion.

Jul 16, 2021 — The spotlight this week is on Sara Driver, Jacques Tati, Bill Duke, Lizzie Borden, and Nobuhiko Obayashi.

Jul 15, 2021 — The annual showcase of emerging talent wraps its sixtieth edition with the presentation of six awards.

Jul 14, 2021 — Cannes premieres new work from Mia Hansen-Løve, Wes Anderson, Nanni Moretti, Asghar Farhadi, and Kirill Serebrennikov.

Jul 13, 2021 — Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.

Jul 13, 2021 — One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Jul 13, 2021 — Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...

Jul 12, 2021 — Far more than a behind-the-music tribute, Haynes’s first documentary reanimates American culture in the mid-1960s.

Jul 12, 2021 — The British director’s autobiographical sequel is one of the most enthusiastically reviewed films at Cannes so far.