The Criterion Collection
The Daily
Oct 8, 2024 — Telling a love story in three parts spanning more than twenty years, Jia offers a summing up before he turns a new page.
The Daily
Oct 7, 2024 — The winner of the Grand Prix in Cannes is a portrait of three women in Mumbai—and at a crossroads in their lives.
The Daily
Oct 4, 2024 — The week offers conversations with Francis Ford Coppola and John McNaughton, deep dives into a horror classic, and a guide to Indie’a Parallel Cinema.
The Daily
Sep 25, 2024 — A dozen newly restored films from the 1970s, ’80s, and ’90s will screen in this year’s program.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
Essays
Sep 24, 2024 — A sceenwriter, novelist, and longtime friend of director Todd Solondz recalls the admiration he felt upon first seeing this audacious ensemble drama, which offers an unflinching, compassionate look at the pain and abjection of being human.
Features
Sep 20, 2024 — With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.
The Daily
Sep 19, 2024 — Early reviews of the adaptation of a William S. Burroughs novel starring Daniel Craig run hot and cold.
Sep 17, 2024 — A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.
The Daily
Sep 12, 2024 — Chime, a French remake of Serpent’s Path, and Japan’s Oscar submission, Cloud, have all premiered within months of each other.