The Robe

Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.

May 23, 2017 — Continuing my trip through Cannes history, today I’m focusing on one of the most celebrated works of Italian master Michelangelo Antonioni, who became an international sensation partly thanks to the booing and heckling he endured at the Cannes premiere of...

Oct 27, 2015 — Earlier this month the cinema world lost Chantal Akerman, one of the field's most vital and influential artists. For nearly fifty years, the renowned Belgian filmmaker not only shaped moviemaking with her daring and profound narrative films and documentaries, but...

May 9, 2014 — Did You See This?• Godzilla reigns once more. • High praise for Paul Robeson • Richard Brody ranks the nonfiction greats. • Ian Buruma refuses to rank Mizoguchi. • Cahiers du cinéma’s editor lays it all out. • David Thomson...

May 23, 2012 — Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.

Nov 18, 2010 — In Charles Laughton’s The Night of the Hunter, terror and tenderness grapple with each other as profoundly as the words HATE and LOVE when they’re tattooed, one per hand, across the knuckles of the sadistic preacher Harry Powell (Robert Mitchum)....

Oct 18, 2009 —  So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...

Jul 21, 2008 — Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.

Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...