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The Man From Home

Claude Berri, 1934–2009

Production Notes

Feb 24, 2009 On January 12, French cinema lost one of its truest enablers. Claude Berri was as well-known for his support of cinema, both financial and critical, as he was for his own filmmaking. The actor turned director-writer-producer made twenty-three films (the...

Feb 9, 2009 Luis Buñuel’s ferociously brilliant The Exterminating Angel (1962) is one of his most provocative and unforgettable works. In it, we watch a trivial breach of etiquette transform into the destruction of civilization. Not only does this story undermine our confidence...

Oct 20, 2008 Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.

Sep 15, 2008 Max Ophuls’s ingenious tale of Viennese cafe society conveys both the transience of individual passions and the durability of passion itself as a motivating force in human behavior.

Jul 21, 2008 Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.

Feb 18, 2008 At the climax of Alex Cox’s Walker (1987), a helicopter descends from the night sky onto a plaza where the colonial buildings are ablaze and an army of mercenaries is disintegrating . . .

Farewell, Bergman

Production Notes

Jul 30, 2007 Five years ago I produced my first DVD of a film by Ingmar Bergman. The film was Wild Strawberries, and I remember the thrill of working on a film that I knew was beloved by so many. Since then I...

Jul 23, 2007 It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.

Apr 16, 2007 Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.

Feb 19, 2007 A powerful document of anti-Nazi propaganda, Powell and Pressburger’s war drama consolidated their partnership and showed a way forward for British cinema.

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