The Criterion Collection
Essays
Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.
May 25, 2021 — In Edmund Goulding’s gritty cult classic, Tyrone Power casts off his matinee-idol image to play a conniving carnival barker on the flipside of the American dream.
The Daily
Dec 18, 2020 — From Marlene Dietrich to Tsai Ming-liang, it’s a varied and wide-ranging bunch this week.
Dec 3, 2019 — As the title card comes up, the movie has already begun, with a frontal view of a dilapidated plantation house, its ivied columns sporadically lit up by a raging storm. Spectators at the time of the film’s release who were...
May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.
Mar 18, 2019 — One Scene When Jia Zhangke made his 1997 feature debut, Xiao Wu, he was rebelling against decades of tradition that had drawn a hard line between cinema and reality. Chinese film history is rooted in genres found in classical theater...
The Daily
Dec 10, 2018 — Alfonso Cuarón’s latest scores best film awards from critics’ groups in Los Angeles, Chicago, San Francisco, Philadelphia, and Toronto.
The Daily
Oct 24, 2018 — A series in London that skirts outright horror is somehow just right for Halloween.
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.
On the Channel
Jun 7, 2018 — “Film was a sort of rarified, special thing you might luck into,” says Marlon James, recalling his first encounters with the art form as a child in Jamaica. Growing up in Kingston in the 1970s, he got his cinema education...