The Criterion Collection
The Daily
Dec 29, 2022 — Martin Scorsese, Hayao Miyazaki, Catherine Breillat, Michael Mann, Christian Petzold, David Fincher . . .
The Daily
Aug 11, 2022 — New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.
The Daily
Jan 24, 2025 — We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.
Features
Jan 10, 2020 — How many times, in cultural history, has surrealism been declared out for the count? For the German philosopher Walter Benjamin, writing in 1929, surveying the surrealist literature of André Breton, Robert Desnos, and Louis Aragon, the glory days of this...
Sep 17, 2017 — “A film that would make a fine double bill with either Jessica Hausner’s Amour fou or David Cronenberg’s A Dangerous Method, Barbara Albert’s Mademoiselle Paradis is a subtle and intelligent film about the historical crisis of female subjectivity and the...
Essays
Mar 17, 2026 — In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.
Essays
Jun 10, 2025 — Sidney Lumet’s lavish adaptation of a Tony Award–winning stage musical combines an ecstatic appreciation of Black artistry with a celebration of freedom and perseverance.
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Oct 22, 2024 — Lana Wilson is a writer and director whose work includes After Tiller, an Emmy-winning feature documentary about the four most-targeted abortion doctors in America; The Departure, a Spirit Award–nominated feature documentary about a punk-turned-priest who helps suicidal people find reasons...