The Criterion Collection
The Daily
Mar 7, 2019 — The art of Orson Welles and David Lynch, the marriage of Fay Wray and Robert Riskin, and the criticism of Adrian Martin and David Thomson are among the subjects in this month’s round.
The Daily
Jan 3, 2019 — We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.
On the Channel
Nov 28, 2018 — In the 1940s, the nonlinear narrative began to enter the mainstream, as films like Citizen Kane and Double Indemnity boldly did away with the chronological mode that had dominated the cinematic storytelling of decades prior. While the visionary Orson Welles...
The Daily
Apr 4, 2018 — “It has been half a century since Werner Herzog released his first full-length feature, Signs of Life (1968) which depicts a wounded German WWII paratrooper losing his mind on a torpid Greek island,” writes Joseph Hincks, introducing his interview for...
The Daily
Dec 27, 2017 — It’s been a while since we gathered news of projects in the works, but even as announcements started thinning as the holidays approached, a few of them are well worth noting in a quick roundup here. For example, Josh and...
The Daily
Dec 12, 2017 — “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...
Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.
Sep 21, 2015 — Krzysztof Kieślowski’s political and philosophical rumination, which marked an important turning point in the director's career, imagines a young man's life branching off in three possible directions.
Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.
Mar 25, 2015 — Errol Morris’s revolutionary film boldly investigated the truth of a murder case while reimagining documentary cinema aesthetics.