The Criterion Collection
Essays
Jan 21, 2025 — In his first Hollywood film, British director Stephen Frears dives into the nihilistic world of Jim Thompson’s fiction, delivering an adaptation profoundly attuned to the novelist’s sense of ineluctable suffering.
On the Channel
Oct 16, 2024 — This month, celebrate Noirvember with a dazzlingly dark lineup of hard-boiled pleasures.
Oct 8, 2024 — Though it received dismissive reviews upon its release, this chillingly nihilistic horror film has since influenced such masters as Alfred Hitchcock and Jacques Rivette with its low-budget evocation of anxiety and indeterminacy.
The Daily
May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.
Apr 23, 2024 — With its delirious images and audaciously poetic style, Soviet filmmaker Mikhail Kalatozov’s hymn to revolution moves beyond ordinary logic to capture the mysterious beauty of collective utopia.
Mar 26, 2024 — In her first fiction film, director Alice Diop brings the skills of observation she has learned from her documentary work to a thought-provoking exploration of race, power, and motherhood.
Feb 13, 2024 — Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.
Essays
May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.
The Daily
Apr 21, 2023 — Names in the news this week: Catherine Deneuve, John Akomfrah, Nan Goldin, György Fehér, Leiji Matsumoto, and Hayao Miyazaki.
The Daily
Jan 9, 2023 — We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.