The Criterion Collection
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
The Daily
Mar 24, 2025 — A series coprogrammed by Bonjour Tristesse director Durga Chew-Bose “celebrates the beauty and myth of the Riviera.”
Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.
The Daily
Mar 21, 2025 — Along with conversations with David Cronenberg, Alain Guiraudie, and Lemohang Jeremiah Mosese, the week offers a dossier on “the cinema of the senses.”
On the Channel
Mar 20, 2025 — This month, celebrate the career of one of our greatest contemporary actors, explore a gritty period in New York City’s history, and look back on the legacy of the Vietnam War.
The Daily
Mar 19, 2025 — The festival’s twenty-fifth edition offers a five-day binge of midnight movies.
The Daily
Mar 6, 2025 — An award-winner in Berlin, Philippe Lesage’s gripping slow burner is set for a theatrical run in the U.S.
The Daily
Mar 5, 2025 — The Parisian art-house cinema has programmed a series running at various venues throughout New York City.
The Daily
Mar 4, 2025 — The Melbourne Cinémathèque presents selections from the four phases of a profoundly influential oeuvre.
Feb 25, 2025 — Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.