The Criterion Collection
Oct 25, 2022 — One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.
Feb 8, 2022 — A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.
The Daily
Nov 29, 2021 — The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”
On the Channel
Nov 12, 2019 — Thai filmmaker Sorayos Prapapan’s Death of the Sound Man begins with a black screen accompanied by the mysterious but unmistakably sexual sound of someone slurping. Shortly after, the first shot reveals a young man in a sound booth fellating a...
The Daily
Jun 27, 2019 — Early reviews of the Hereditary director’s second feature may be mixed, but everyone agrees that it’s quite a trip.
May 18, 2018 — Improvising to Jim Jarmusch’s film in real time, Neil Young created a rich parallel environment that sounds like a force of nature.
Apr 29, 2015 — Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
The Daily
Apr 3, 2020 — Conversations with Frederick Wiseman and Quentin Tarantino and rediscoveries of forgotten critics and an Arab filmmaker are among this week’s highlights.
The Daily
Jan 30, 2018 — With Phantom Thread opening in the UK on Friday, Screen’s Andreas Wiseman gets Daniel Day-Lewis talking about working with Paul Thomas Anderson. “There’s nothing mad you can do that he won’t encourage you to be madder. I love that. You...