The Criterion Collection
Essays
Jun 17, 2025 — Mitchell Leisen’s marvelously chic and brilliantly constructed screwball classic revolves around a heroine who flounders through a succession of complications but always manages to come out ahead.
Dec 3, 2021 — What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...
Jan 3, 2020 — The director of Margaret and Manchester by the Sea celebrates Hollywood’s greatest humanist, whose films are featured in a series now playing on the Criterion Channel.
Aug 24, 2016 — During a 2006 meeting with the author, French New Wave icon Jeanne Moreau reminisced about working with Orson Welles, Louis Malle, and François Truffaut, and her turn to acting as a means of eluding the “destiny of a regular girl.”
Sep 11, 2025 — For J. Hoberman, the film “more than makes the case for Fonda’s centrality in the American imaginary.”
The Daily
Sep 18, 2024 — We’re reading or anticipating new books from Pedro Almodóvar, Al Pacino, Werner Herzog, and Cher.
The Daily
May 10, 2023 — The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”
Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.
Features
May 4, 2020 — “You’ve never seen prairie grass with the wind leaning on it, have you, Diz?”Jean Arthur asks this poetic, expressively peculiar question of Thomas Mitchell in Frank Capra’s 1939 Mr. Smith Goes to Washington, and we understand her yearning for truth...
Jan 29, 2020 — It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...