To Each His Own

Sep 19, 2017 — Film Comment editor Nicolas Rapold has posted his overview of this year’s Venice International Film Festival, and a “Telluride 2017 Journal” from the Film Society of Lincoln Center’s Eugene Hernandez is up there, too. But FC’s gone all out on...

Sep 17, 2017 — There’s no getting around the loaded real-world context on this one. For the Daily Beast, Richard Porton begins with the “various accusations about [Louis C.K.’s] supposed sexual misconduct, which have been floating around for years since a 2012 Gawker story...

Sep 15, 2017 — “Harry Dean Stanton, the character actor with the world-weary face who carved out an exceptional career playing grizzled loners and colorful, offbeat characters in such films as Paris, Texas and Repo Man, has died.” The Hollywood Reporter’s Mike Barnes and...

Sep 11, 2017 — In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

Sep 11, 2017 — “Brace yourselves,” warns Leonardo Goi, writing for Cinema Scope: “after the American sojourn that brought the likes of Face/Off and Mission Impossible 2 and a detour into Chinese historical-blockbuster mode with Red Cliff, John Woo has returned to the Asian...

Sep 2, 2017 — “The names Joel and Ethan Coen pop up on a lot of screenplays these days (Bridge of Spies, Unbroken), now that they’re getting credit for the kind of script-polishing they used to do anonymously,” begins Variety’s Owen Gleiberman. “But Suburbicon...

Aug 30, 2017 — “You could argue that [Janicza Bravo’s] Lemon thinks too much about its own face, its style over its substance,” writes Niela Orr for the Baffler, “but it does so in service of its critique of white male narcissism. To this...

Aug 22, 2017 — BBC Culture has polled 253 film critics from fifty-two countries to come up with a list of the “100 greatest comedies of all time.” Nicholas Barber argues the case for the film that’s come out on top, Billy Wilder’s Some...

Aug 18, 2017 — In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.

Aug 15, 2017 — “Given that this edition of Locarno was its 70th, it was a shame that no special anniversary prize was created and bestowed on Raúl Ruíz's gloriously strange The Wandering Soap Opera,” finds James Lattimer at the House Next Door. “The...