The Criterion Collection
Essays
Aug 2, 2004 — Anna Magnani’s flair for demotic street comedy was transfigured into stylized nobility by sumptuous costuming and Jean Renoir’s formal camera work.
Mar 13, 2004 — With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.
Sep 29, 2003 — “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...
Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...
Essays
Sep 29, 2003 — Roman Polanski’s maiden feature would define his maverick status once and for all.
Essays
Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.
May 25, 1992 — If Max Ophuls hadn’t cooled his heels in Hollywood to flee the Nazis, his name might have conjured only the most unintelligible of foreign cinema—vague and inaccessible to the average American filmgoer. But in 1948 Ophuls was given an opportunity...
Essays
Dec 2, 1991 — Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...
Essays
Dec 6, 1987 — Mike Nichols’s treatment of a young man’s initiation into the mysteries of sex at the hands of an older married woman has become a model for this common fantasy.
Jun 18, 2026 — Over the course of his first three documentaries—Helvetica (2007), Objectified (2009), and Urbanized (2011)—Gary Hustwit established a clean and clear cinematic language that he used to describe the complex and often contradictory systems of thinking that designers use to shape...