The Way to the Heart

Mar 12, 2013 — Working in America, German master Fritz Lang contributed to the anti-Nazi effort with this nightmarish, surreal tale of espionage.

Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Oct 4, 2012 — Louis Malle is remembered primarily as a fiction filmmaker, but he had a parallel career as a documentarian. In fact, he got his start in nonfiction: when he was just twenty-three years old, Malle was given the opportunity to collaborate...

Sep 18, 2012 — Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.

Jun 18, 2012 — One Scene With a background in photography, I was initially attracted to the visual elements of cinema. But the first time I worked with great actors, my interest immediately shifted. Now, capturing a performance is all that matters to me;...

Nov 29, 2011 — Elephant Boy: Child’s Play It’s hard to imagine a movie role more perfectly suited to the actor playing it than Toomai in Elephant Boy (1937), the part that made Selar Shaik—known as Sabu—one of the least likely superstars in Western...

Oct 25, 2011 — An Erle C. Kenton–directed Paramount feature based on the 1896 H. G. Wells novel The Island of Dr. Moreau, Island of Lost Souls (1932) is the story of a mad scientist’s attempts to convert wild animals into human beings by...

Nov 16, 2010 — To make a silent film in 1931, four years after The Jazz Singer, was to buck the trend in a film industry rapidly divesting itself of silence. To make another in 1936, nearly a decade after the advent of sound,...

Apr 22, 2010 — It’s easy to get anxious about the place of Jean-Luc Godard in our cultural slipstream. He’s held a top-shelf slot of honor that has seemed unassailable for nearly sixty years, but sometimes I fear that his currency is becoming drastically...

Mar 30, 2010 — The work of Pedro Costa has progressed in slow, measured steps, but each step has been a giant leap. His slowness is both the condition and the consequence of ethical standards he shares with precious few directors of his generation....