The Eye

Sep 17, 2021 — New issues of Film Quarterly and Animus and a conversation with Liv Ullmann and Jessica Chastain are among this week’s highlights.

Aug 31, 2021 — Cary Joji Fukunaga’s devastating child-soldier movie unflinchingly captures the shock of war without forsaking the complexity of human experience.

Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

May 27, 2021 — First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...

Mar 26, 2021 — Today’s round features writing on Catherine Breillat, William Greaves, Thom Andersen, and Patricia Highsmith.

Feb 26, 2021 — First Person When I was eight years old, I discovered what it meant to be of two minds. I didn’t discover this in any intellectual way; this was brought to bear on me in 1973 because that’s the year my...

Aug 31, 2020 — “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...

Jul 24, 2020 — On our minds this week: Bruce Lee’s legacy, Alfonso Cuarón’s dystopia, Hitchcock’s hands, and those Black Lives Matter movie lists.

Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

May 21, 2020 — Deep Dives “Right then, get dressed!” my mother sang out once a year when I was a child. “We’re going down the Lane,” and I was at the front door with my coat on before she was. The Lane was...