The Criterion Collection
The Daily
Mar 1, 2022 — A series in London presents films from around the world depicting societies in flux in the 1960s and ’70s.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
On the Channel
Feb 24, 2022 — Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.
The Daily
Feb 23, 2022 — Twenty-nine nonfiction and hybrid films will screen through March 10.
Feb 23, 2022 — In the 1961 screen adaptation of Lorraine Hansberry’s classic play, the actor radiantly embodies the conflicting impulses that define the character of Beneatha Younger—a modern woman filled with hope and longing.
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.
Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.
The Daily
Feb 18, 2022 — This week we’re celebrating pioneers of queer cinema and reading about Melville, Menelik Shabazz, Patrick Wang, and Francis Ford Coppola.
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
The Daily
Feb 16, 2022 — Among the notable titles competing this year are new films from Sho Miyake, Gastón Solnicki, and Ashley McKenzie.