The Criterion Collection
J. J. Murphy is a professor emeritus of film at the University of Wisconsin–Madison. He is the author of four major books on independent cinema, including Rewriting Indie Cinema: Improvisation, Psychodrama, and the Screenplay (Columbia University Press, 2019) and The...
Walter Chaw is the senior film critic for FilmFreakCentral.net, with bylines in the New York Times, LA Weekly, the New York Post’s Decider.com, and NPR’s Pop Culture Happy Hour. His book on the films of Walter Hill is due in...
Film critic Stéphane Delorme was editor in chief of Cahiers du cinéma from 2009 to 2020. He was a programmer at the Directors’ Fortnight at the Cannes Film Festival when Daddy Longlegs made its world premiere there in 2009.
Bilal Qureshi is an essayist and broadcaster whose criticism and reporting have appeared in Film Quarterly, the Washington Post, and the New York Times and on the BBC and NPR.
Adam Piron (Kiowa/Mohawk) is a filmmaker and programmer based in Southern California. He currently serves as director of Sundance Institute’s Indigenous Program and is a cofounder of COUSIN, a collective supporting Indigenous artists expanding the form of film.
Jane Schoenbrun is a nonbinary filmmaker and writer whose first narrative feature, We’re All Going to the World’s Fair, was released earlier this year. Jane is the cocreator of the ongoing touring variety series The Eyeslicer, the director of the...
Markus Nornes is professor of Asian cinema at the University of Michigan, where he specializes in Japanese film, documentary, and translation theory. He is also a filmmaker and film-festival programmer. His most recent book, the open-access Brushed in Light, is...
Jordan Cronk is a film critic and founder of the Acropolis Cinema screening series in Los Angeles. His writing has appeared in Artforum, Cinema Scope, frieze, the Los Angeles Review of Books, Sight & Sound, and other publications. He is...
Justin Chang is a film critic at the New Yorker and NPR’s Fresh Air. He won the 2024 Pulitzer Prize for Criticism for his work at the Los Angeles Times.
Megan McGurk researches women’s pictures 1929–59 and hosts Sass Mouth Dames, a podcast and film club, in Dublin.