Fall

Oct 20, 2008 — Though he had been directing films since the silent era, Kenji Mizoguchi didn’t become an international sensation until after the Second World War, benefiting from a new fascination with Japan’s cinematic output.

Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...

Jun 22, 2026 — A quiet highlight of last fall’s festival season, Milagros Mumenthaler’s third feature tours theaters through July.

Dec 31, 2018 — Pawel Pawlikowski is a BAFTA-winning writer and director whose film Ida won the 2015 Academy Award for best foreign language film, as well as five European Film Awards and a Goya, among many other prizes. His latest film, Cold War,...

Dec 26, 2017 — The great Austrian filmmaker spoke with us about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

Aug 21, 2012 — Andrew Haigh’s boy-meets-boy story reminds us that the biggest pleasures of falling in love come from the little moments of connection.

Jun 16, 2009 — In Tempo di viaggio (1983), the doodle Andrei Tarkovsky and Tonino Guerra made for Italian TV as they prepped Nostalghia, the great struggling Russian answers a question about genre films by saying that his Solaris (1972) is “not so good,”...

Mar 10, 2009 — Akira Kurosawa made Dodes’ka-den (1970) during the most crisis-laden period of his career. He had just spent two years embroiled in an ill-fated venture with the Hollywood studio Twentieth Century Fox to direct the Japanese segments of the World War...

Dec 30, 2008 — It’s the last day of 2008, and all the balloting is finally done. Here’s a rundown of how Criterion rated in the best DVDs of the year polls: The Sight & Sound list included Criterion’s “gripping morality tale” Death of...

Oct 22, 2007 — Through the alcohol-induced convulsive movements of Firmin, a fallen diplomat, John Huston puts what is perhaps his own fear of decline, of departure without making peace with one’s loved ones, on the screen.