The Criterion Collection
The Daily
Oct 24, 2017 — New York. The Anthology Film Archives’ series Boxing on Film: Part 2 is on through October 31, and William Klein’s Muhammad Ali, The Greatest (1974), screening once more on Saturday, “evades fight footage and instead alights upon the press appearances...
The Daily
Jul 24, 2017 — In Issue 13 of Alphaville: Journal of Film and Screen Media, editors Loretta Goff and Caroline V. Schroeter “bring together eight articles from around the world that interrogate the representation of race, ethnicity and identity on screen.”Kenta McGrath writes about...
The Daily
Jun 1, 2017 — “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...
Visual Analysis
Dec 21, 2016 — Under the InfluenceEarlier this month, director Mike Mills paid a visit to New York in support of his third narrative feature, 20th Century Women, a deeply personal coming-of-age tale about a teenage boy growing up in Carter-era Southern California with...
Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Sep 26, 2013 — Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.
Jul 24, 2012 — Trained as a musician, Jean Grémillon became one of French cinema’s most lyrical artists. His most beloved films were made during World War II.
Apr 26, 2011 — At once prestigious literary adaptation and slapstick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.
Nov 25, 2010 — Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.