The Criterion Collection
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.
May 25, 2009 — Reported from the set of Eddie Coyle by New Journalism trailblazer Grover Lewis, this article is a profile of Robert Mitchum that features extensive, idiosyncratic monologues by Mitchum himself.
Feb 3, 2009 — Luis Buñuel’s surrealist satire is the last film he made in Mexico, the last one in which he used Mexican actors, and most significantly the last one on which he worked with the great Mexican cinematographer Gabriel Figueroa.
The Daily
May 19, 2026 — New films by Ryusuke Hamaguchi and James Gray are riding high on the Cannes critics’ grids.
The Daily
Apr 7, 2026 — The third edition opens with Maddie’s Secret and features Chronovisor, After Dreaming, and Blue Heron.
Feb 24, 2026 — For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.
The Daily
Feb 19, 2026 — In more than forty nonfiction features, he tried, as he said, “to create dramatic structures out of ordinary experience.”
The Daily
Nov 12, 2025 — He anchored some of the best films by Kurosawa, Kobayashi, Okamoto, Naruse, and Teshigahara.
The Daily
Aug 29, 2025 — The Ringer ranks this century’s greatest on-screen turns and Joseph McBride champions John Ford’s final feature.
May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.