The Criterion Collection
Production Notes
Oct 22, 2020 — 1. Jimmy Ringo, the protagonist of the 1950 western The Gunfighter, is based on real-life nineteenth-century outlaw John Peters Ringgold, better known as Johnny Ringo. One of Tombstone, Arizona’s most notorious gunslingers, he also served as the model for the...
The Daily
Apr 20, 2020 — This month sees new books by and about Woody Allen, Miranda July, and Michael Snow as well as fresh translations and collections of criticism.
Nov 26, 2019 — In a key scene of the beloved Bette Davis film Now, Voyager (1942), the heroine goes to dinner on a cruise ship wearing a cloak decorated with fritillaries. A fritillary is a spangled butterfly, and the scene signals that Charlotte...
The Daily
Jun 12, 2017 — “As incredible as it seems,” write Cristina Álvarez López and Adrian Martin in the new issue of Sight & Sound, “Philippe Garrel, at the precocious age of 16, had already sketched most of the now familiar elements of his cinematic...
Features
Apr 3, 2020 — Everyone remembers their first time with Toshiro Mifune. With almost anyone else, such a first would be recollected with a shrug or a casual “it was . . . fine.” But Mifune induces delirious and perfect recall: of him flat...
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton
The Daily
Jul 14, 2025 — The top prize, the Crystal Globe, goes to Better Go Mad in the Wild, a portrait twins living out their days on an isolated farm.
On the Channel
Mar 22, 2019 — The Criterion Channel launches on April 8, and we’re excited to share our first month’s lineup! The April calendar of thematic programming highlights an eclectic mix of classic and contemporary films from Hollywood and around the world, many not streaming anywhere...
Jul 12, 2018 — The French director’s English-language debut and first science fiction film is one of the first seven films selected to compete in San Sebastián.
Mar 15, 2016 — Set during the height of McCarthy-era paranoia and arriving in 1962, in the middle of the Cuban Missile Crisis, John Frankenheimer’s high-anxiety Communist conspiracy thriller tapped into the darkest fears of Cold War America.