The After

Jan 22, 2013 — With his unique use of new 3D technology, Wim Wenders found an unprecedented way for the movie camera to capture bodies in space.

Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.

Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Nov 5, 2012 — The following originally appeared as the afterword to the 2003 New American Library edition of the novel Rosemary’s Baby. Having observed that the most suspenseful part of a horror story is before, not after, the horror appears, I was struck...

Oct 9, 2012 — British wartime audiences ate up these rule-breaking costume pictures—entertainments for a populace seeking escapism.

Sep 18, 2012 — Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.

Aug 29, 2012 — With humor and melancholy, Franc Roddam’s coming-of-age drama, based on the Who’s iconic album, shows us a g-g-generation on the edge.

Aug 14, 2012 — The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.

Aug 14, 2012 — The Dardennes threw down the gauntlet for a new type of unadorned dramatic storytelling with their breakthrough tale of a working-class boy’s fraught coming-of-age.

Jul 24, 2012 — Trained as a musician, Jean Grémillon became one of French cinema’s most lyrical artists. His most beloved films were made during World War II.