Stree

Oct 4, 2017 — We begin with Richard Brody, writing in the New Yorker about Alain Gomis’s Félicité, “a dramatic portrait of a fierce, intrepid woman—a single mother and a powerfully expressive cabaret singer (Véro Tshanda Beya Mputu) in Kinshasa who is wrenched from...

Oct 4, 2017 — “The strength of women left alone to fend for themselves is the communal focus of actor and director Xavier Beauvois’s The Guardians,” writes Notebook editor Daniel Kasman, introducing his interview with the director. “After directing Of Gods and Men (2010),...

Oct 4, 2017 — Vivian Qu’s Angels Wear White premiered in competition in Venice, screened in the Contemporary World Cinema program in Toronto, and now heads into the Official Competition at the sixty-first BFI London Film Festival. Little White Lies has asked ten LFF...

Oct 1, 2017 — Last week, Deadline’s Amanda N’Duka reported that Julie Dash (Daughters of the Dust) “has signed on to direct an upcoming biopic on Rosa Parks, which will center on the decade before her seminal moment on a Montgomery bus, when Parks,...

Oct 1, 2017 — “Sean Baker follows his 2015 breakout feature Tangerine with another high-energy movie about people whose imaginations are undaunted by living on the margins,” begins Amy Taubin, introducing her interview with the director for Film Comment. “In The Florida Project, six-year-old...

Oct 1, 2017 — “Since I saw Faces Places at its premiere at Cannes in May, [Agnès] Varda’s latest documentary has cemented itself on my running list of the year’s best titles,” writes Manohla Dargis in the New York Times. “Made with the French...

Sep 30, 2017 — Serge Bozon’s Mrs. Hyde premiered in Locarno in August, when we gathered a first round of reviews. It screens once more tomorrow (October 1) as part of the New York Film Festival’s Main Slate, and Bozon and his star, Isabelle...

Sep 29, 2017 — During this month’s Toronto International Film Festival, we began seeing reviews and interviews that would eventually make their way into the new issue of Cinema Scope: Adam Nayman’s conversation with Denis Côté about A Skin So Soft, for example, and...

Sep 29, 2017 — “A ravishing visual colossus, Blade Runner 2049 more than lives up to its predecessor’s legacy as a groundbreaking mixture of sound, images and mood,” begins Screen’s Tim Grierson. “This long-anticipated sequel’s screenplay sometimes struggles to keep pace, but director Denis...

Sep 29, 2017 — One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.