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Apr 1, 2024 — The show may be “resolutely low-risk” overall, but for many, the standouts are film and video works.

Mar 29, 2024 — Notes on the past and future work of Martin Scorsese, Alejo Moguillansky, Pedro Costa, and Alice Rohrwacher.

Mar 26, 2024 — In her first fiction film, director Alice Diop brings the skills of observation she has learned from her documentary work to a thought-provoking exploration of race, power, and motherhood.

Mar 26, 2024 — In Gus Van Sant’s wickedly funny tale of suburban depravity, Nicole Kidman plays a vacuous weather reporter whose hunger for fame anticipates our own era of digital celebrity.

Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.

Mar 25, 2024 — Retrospectives in London and Hong Kong and a screening in Ghent are devoted to the work of the Spanish director.

Mar 22, 2024 — This week we’re revisiting two classic video essays and reading about great bio-pics, Med Hondo, and Haitian cinema.

Mar 21, 2024 — Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).

Mar 20, 2024 — BUFF’s twenty-fourth edition offers plenty of scares and local talent.

Mar 20, 2024 — The Cinémathèque presents three double features, and all six films star “noir seductress nonpareil” Gloria Grahame.