I Was at Home, But...

Jul 28, 2026 — Seven dynamite nights with Keaton, Chaplin, Lubitsch, Ford, Murnau, Griffith, and Raoul Walsh.

May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

May 8, 2026 — Film Comment relaunches, Richard Kelly writes, Lynne Ramsay prepares, and in 1976, Roberto Rossellini talked.

Mar 10, 2026 — Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.

Feb 24, 2026 — Centered on the emotional unraveling of a failed newsman, this darkly prescient satire envisions the collapse of American society as we knew it through an unsparing critique of corporate media and capital accumulation.

Feb 19, 2026 — Though in many ways the quintessential company man, the director brought an intimate understanding of the margins of American society to the films he made for Warner Bros. in the 1930s.

Dec 17, 2025 — Amid the disorientation of the COVID-19 era, this rousing film cut through with a life-affirming reminder that community and connection are still possible.

Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.

Sep 8, 2025 — Father Mother Sister Brother and The Voice of Hind Rajab win top awards in Venice.

May 29, 2025 — The rise of fascism upended the childhoods of both filmmakers.