The Criterion Collection
Essays
Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...
The Daily
Oct 17, 2023 — She left the movies twice but returned to deliver memorable performances in The Hustler, Carrie, and Twin Peaks.
The Daily
Oct 12, 2023 — The director completes her “trilogy on Italian identity” by offering an outsider’s point of view.
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Oct 5, 2023 — Cailee Spaeny won the Best Actress award in Venice for her portrayal of Elvis Presley’s frightfully young girlfriend and wife.
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Oct 3, 2023 — Echoes of the eighty-three-year-old director’s life and career are heard throughout his fourth feature.
The Daily
Sep 27, 2023 — After winning a handful of top awards in Beijing, the novelist-turned-filmmaker’s thirteenth fictional feature arrives in New York.
Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.
Sep 19, 2023 — Franz Kafka’s The Trial, the unfinished tale of a man living under arrest and prosecution for an unspecified offense, is perhaps the iconic author’s most paradigmatic text. Following its posthumous publication in 1925, and its translation into English by Willa...
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Sep 8, 2023 — The festival launches new films by Wes Anderson, Richard Linklater, Harmony Korine, and Ibrahim Nash’at.
Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.