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Fiction

Sep 29, 2003 Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.

Jan 6, 2003 Ernst Lubitsch set the screwball comedy standard, treating hard-on material with dignified aplomb and a combination of suaveness, hilarity, and sexiness.

Dec 9, 2002 What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.

Hopscotch

Essays

Aug 19, 2002 Ronald Neame’s dramedy has the distinction of being the only “feel-good” realistic spy film ever made, walking a fine line between topicality and escapism.

The Vanishing

Essays

Sep 17, 2001 George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.

Jul 9, 2001 Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.

The Rock

Essays

Mar 12, 2001 This first-rate action thriller by Michael Bay is a triumph of style, tone, and energy.

Jan 29, 2001 Invisible monsters suck out your brains! And that’s just for starters.

The Blob

Essays

Nov 13, 2000 Featuring what may be the only 1950s monster that could not be destroyed, this cult classic warns parents to listen to their kids because the world they understood and controlled is over.

Vagabond

Essays

May 15, 2000 Vagabond has been called Agnès Varda’s Ulysses, and with good reason. The comparison with James Joyce’s era-defining epic novel extends well beyond a recognizable similarity between the two artists. Both writer and filmmaker occupy vanguard positions in the history of...

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