The Criterion Collection
Essays
Jul 9, 2001 — John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.
Essays
Mar 26, 1998 — In The Lady Vanishes, Alfred Hitchcock pushes the romantic comedy-thriller form to perfection. Endlessly imitated, the film remains unique, even in Hitchcock’s canon. In no other movie but North by Northwest was he able to blend these two genres so...
Jul 17, 1995 — Kurosawa made the acquaintance of Desu Uzala thirty years earlier, when he read Vladimir Arseniev’s account of charting the Russian-Manchurian border in the earlier part of this century. There, the Russian soldier and explorer had met Dersu, the Siberian hunter,...
Oct 25, 1994 — Jim McBride’s David Holzman’s Diary, made for less than $3000 over 5 days of principal photography, manages to be twenty years ahead of its time and perfectly of its time. Spiritual forebear to the contemporary low-budget American independent film movement...
On the Channel
Aug 27, 2018 — British master Terence Davies makes evocative use of dissolves to create a slippery narrative structure driven by emotion and memory.
Dec 30, 2016 — Did You See This? Richard Adams, the author of the beloved 1972 children’s novel Watership Down, passed away this week at the age of ninety-six. Adams’s best-selling book, which grapples with themes of political upheaval and ecological destruction through the...
The Daily
Feb 9, 2024 — We’re taking Black History Month viewing recommendations, listening to Peter Bogdanovich’s podcast, and reading about London critics’ favorites.
Production Notes
Jan 31, 2019 — Trailblazer Elaine May altered the landscape of comedy and screenwriting, and in the three films she directed in the 1970s—A New Leaf (1971) , The Heartbreak Kid (1972), and Mikey and Nicky (1976)—she brought a fresh, often uncomfortable perspective to the portrayal of...
The Daily
Jan 19, 2023 — Critics list their most-anticipated films as Sundance opens with Rotterdam and Berlin hot on its heels.
Sep 22, 2023 — John Waters goes Hollywood, Terence Davies reads a poem, and Marguerite Duras tears it all down.