The Criterion Collection
Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.
Mar 28, 2022 — Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...
Essays
Mar 8, 2022 — A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.
The Daily
Jan 13, 2022 — Yes, he opened doors, but he also brought a singular presence to American cinema.
Dec 3, 2021 — What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...
The Daily
Dec 1, 2021 — So far, most critics have been gung ho, but a few are expressing reservations.
The Daily
Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.
The Daily
Jan 14, 2021 — Film About a Father Who is the centerpiece of this month’s virtual retrospective.
Oct 30, 2020 — In his tension-filled, black-comic Oscar winner, Bong Joon Ho masterfully mixes tones and subverts genres in order to shine a harsh light on the mechanisms that maintain class inequality.
Sep 29, 2020 — In this masterpiece from the father of modern Indonesian cinema, Usmar Ismail, a violent military culture grips the nation in the years following a brutal revolution.