The Criterion Collection
Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.
Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...
In Theaters
Mar 13, 2014 — Repertory PicksThe lovely domestic drama Equinox Flower (1958) was the first color film by the great Japanese director Yasujiro Ozu. Though this master of cinematic composition was initially resistant to moving to the relatively new process (the first color film...
In Theaters
Oct 3, 2013 — Repertory PicksLove Is Colder Than Death is the name of a new Rainer Werner Fassbinder screening series beginning this weekend at Berkeley’s Pacific Film Archive. It’s also the title of the first of the forty-four movies made by the peversely...
Essays
Nov 22, 2011 — 12 Angry Men (1957), the first feature film directed by the legendary Sidney Lumet, is a Hollywood classic that, ironically, helped to define an era of filmmaking grounded in the gritty realism and frenetic energy of urban New York. A...
Interviews
Jun 22, 2011 — Theresa Russell is attracted to the very things that repel most actors. In 1976’s The Last Tycoon, her first movie (and Elia Kazan’s last), she is unafraid of seeming to do very little. Young actresses like to show you they...
Short Takes
Jan 20, 2011 — It’s been two decades since Richard Linklater’s Slacker shook up American independent film and helped define a generation. This week, on the eve of the 2011 Sundance Film Festival, journalist Mark Savlov sat down with Linklater and writer John Pierson...
The actor selects favorite horror films like Videodrome and The Vanishing, talks about connecting with the work of Gregg Araki, and recommends that everyone watch Todd Haynes’s Safe.
Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.
The Daily
Jun 20, 2024 — All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.