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The Long Night

Sep 17, 2007 I set out on my first trip to the Toronto Film Festival ready to feast on films and spend relaxed, indulgent, quality time with writers I work with, or hope to work with, as the editorial director here at Criterion....

Sep 3, 2007 Aconversation, a misunderstanding. The basic pattern in many of Jim Jarmusch’s films is two characters, sometimes three, bound together by chance and wandering along toward an ill-defined goal, each trying all the while to get to know the other or...

Sep 24, 2025 Jacques Audiard’s Paris-set drama about small-time hoodlum with musical ambitions crystallized his identity as an artist with a high degree of confidence and control.

Oct 17, 2023 MoMA will screen two films by one of Iran’s greatest directors—who, along with his wife, has been murdered.

Oscar Weekend

The Daily

Mar 10, 2023 While Hollywood celebrates itself, MoMA spotlights video artists.

Nov 3, 2022 Wolf Kino invites filmmakers, writers, and curators to host screenings of six films by Rainer Werner Fassbinder.

Nov 1, 2022 In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.

Feb 17, 2022 Here’s a sampling of early critical response to this year’s winners.

Sep 13, 2021 Audrey Diwan, Jane Campion, and Maggie Gyllenhaal take home top awards.

Apr 16, 2021 Few motifs in Indian cinema are as potent, as laden with history and meaning, as the train. In 1955’s Pather Panchali, Satyajit Ray immortalized the railways as the symbol of an alienating modernity in a newly independent India; in a...

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