The Hindoo Dagger

Aug 2, 2017 — Writer-director Michael Almereyda spoke with us about his two latest films and the passions that continue to fuel his creative life.

Aug 1, 2017 — From Pittsburgh, where he’s currently working on Where’d You Go, Bernadette? with Cate Blanchett and Kristen Wiig, Richard Linklater—seen above directing Julie Delpy and Ethan Hawke in Before Sunrise way back in 1995—called into the Television Critics Association on Sunday,...

Jul 28, 2017 — A new 4K restoration of James Cameron’s Terminator 2: Judgment Day (1991), converted to 3D, is heading to theaters on August 25. Now James Wigney of the New Corp Australia Network reports that “Cameron says he is in negotiations to...

Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.

Jul 21, 2017 — Tarkovsky lover Geoff Dyer discusses the visual and sonic elements of one of the most haunting sequences in Stalker.

Jul 19, 2017 — The Tracking Board’s Jeff Sneider broke the news and Variety’s Justin Kroll confirms it. Steven Soderbergh has secretly shot a film with Claire Foy and Juno Temple on an iPhone. The title seems to be all that’s known about it...

Jul 19, 2017 — “Yvonne Rainer stands as one of the most influential choreographers of the past fifty-plus years,” begins Melissa Anderson in the Village Voice. “In 1962 she co-founded the Judson Dance Theater, that exalted wellspring of experimental movement; a decade later, she...

Jul 14, 2017 — In a video essay on our release of Robert Bresson’s final film, scholar James Quandt explores some of the formal elements that make the master’s vision of moral corruption so transfixing.

Jul 13, 2017 — “Martin Scorsese is putting the band back together,” writes Anita Busch, breaking the news at Deadline that “Joe Pesci has officially joined Al Pacino (whose deal is currently being finalized) and Robert De Niro in Scorsese’s Jimmy Hoffa disappearance film...

Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.