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In Our Time

Sep 3, 2007 Aconversation, a misunderstanding. The basic pattern in many of Jim Jarmusch’s films is two characters, sometimes three, bound together by chance and wandering along toward an ill-defined goal, each trying all the while to get to know the other or...

Sep 3, 2007 Iwas a cab driver once myself (in Los Angeles, in the mid-1970s), and I’ve been sensitive ever since to how the profession is portrayed on the screen. As it happened, I was driving a cab when Taxi Driver came out,...

Farewell, Bergman

Production Notes

Jul 30, 2007 Five years ago I produced my first DVD of a film by Ingmar Bergman. The film was Wild Strawberries, and I remember the thrill of working on a film that I knew was beloved by so many. Since then I...

Feb 12, 2007 The trailblazing career of the extraordinary singer, actor, and activist was pivotal to the emergence of a black film aesthetic and, by extension, an African-American cultural identity.

Jan 22, 2007 A delightfully old-fashioned morality tale, Robert Day’s low-budget space flick is far more than the standard monster fare it was initially sold as.

Jan 5, 2006 Akira Kurosawa appreciated Shake­speare’s knack for linking the private and the political, threading a tale of corruption and revenge through a tangle of blood ties.

Nov 7, 2005 Often appearing on lists of the ten greatest films of all time, called one of the most beautiful films ever made, or the most masterful work of Japanese cinema, Ugetsu comes to us awash in superlatives. No less acclaimed has...

Oct 24, 2005 Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.

May 9, 2005 This seminal documentary conveys the particular seductiveness and resonance of the dream of going pro for two talented Chicago teenagers.

Mar 14, 2005 The first time I put an eye behind a camera (a 16mm Bell & Howell), it was in a lunatic asylum. The head of the institution was a great big hulk of a man with a face so ravaged by...

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