The Criterion Collection
Essays
Mar 15, 2004 — This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.
Mar 13, 2004 — With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.
Feb 16, 2004 — Ronald Neame’s Tunes of Glory (1960), which was widely admired when it was first released, has subsequently kept a low profile. This says more about critical attitudes and British film culture than it does about the quality of the movie....
Essays
Feb 16, 2004 — Henri-Georges Clouzot took the standard ingredients of the Continental-Films detective movies and used them to make something darker and more complex—to make, in fact, the first classic French film noir.
Sep 29, 2003 — “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...
Aug 18, 2003 — The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.
Essays
Aug 4, 2003 — Shohei Imamura’s lurid black comedy showcases the director’s passion for everything that’s kinky, lowlife, or irrational in Japanese culture.
Sep 23, 2002 — The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.
Sep 17, 2001 — Elmar Klos and I usually work as equal partners, but in this case he left me a free hand. He knows that I am not thinking of the fate of all the six million tortured Jews, but that my work...