The Criterion Collection
Essays
Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.
The Daily
Aug 4, 2021 — The Weeknd, Alice Rohrwacher, and Andrew Haigh set up new series; plus updates on series coming from Park Chan-wook and Olivier Assayas.
Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.
The Daily
Jul 26, 2021 — The main competition boasts new work from Jane Campion, Pedro Almodóvar, Ana Lily Amirpour, and Pablo Larraín.
Jul 23, 2021 — Deep Dives In later years, Buster Keaton referred to his signing of a contract with MGM as “the worst mistake of my career.” In 1928 it was purely a business decision. The last few films he had made for his own...
The Daily
Jul 14, 2021 — Cannes premieres new work from Mia Hansen-Løve, Wes Anderson, Nanni Moretti, Asghar Farhadi, and Kirill Serebrennikov.
The Daily
Jul 13, 2021 — Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.
The Daily
Jul 12, 2021 — The British director’s autobiographical sequel is one of the most enthusiastically reviewed films at Cannes so far.
The Daily
Jul 9, 2021 — This week: Bresson’s rhythms, Hawks’s bravura, Márta Mészáros’s choreography, and the everlasting No Wave of Beth B.
Features
Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...