Film

Mariah Larsson is a professor of film studies at Linnaeus University in Sweden. She is the author of A Cinema of Obsession: The Life and Work of Mai Zetterling (University of Wisconsin Press, 2020). Among her other publications are The...

Film journalist Craigh Barboza teaches at New York University and has written for Cineaste, Film Comment, and the Hollywood Reporter. His book John Singleton: Interviews, a study of the director’s work, is part of the series Conversations with Filmmakers (University...

Vikram Murthi is a contributing writer to the Nation and the editor of Downtime magazine. His freelance film writing has appeared in Filmmaker, Reverse Shot, Vulture, and sundry other publications.

Charles Yu is the author of four books, including Interior Chinatown, which won the 2020 National Book Award for Fiction and was shortlisted for the prix Médicis étranger. His fiction and nonfiction have appeared in publications including the New Yorker,...

Roxana Hadadi is a TV critic for New York magazine’s site Vulture who also writes about film and pop culture, with particular interests in feminism, masculinity, labor and class, and Middle Eastern and Muslim representation.

Jason Wood is the executive director of public programs and audiences at the British Film Institute. A widely published author on cinema and popular culture, he has written on and interviewed Atom Egoyan numerous times. He is also the codirector,...

J. J. Murphy is a professor emeritus of film at the University of Wisconsin–Madison. He is the author of four major books on independent cinema, including Rewriting Indie Cinema: Improvisation, Psychodrama, and the Screenplay (Columbia University Press, 2019) and The...

Walter Chaw is the senior film critic for FilmFreakCentral.net, with bylines in the New York Times, LA Weekly, the New York Post’s Decider.com, and NPR’s Pop Culture Happy Hour. His book on the films of Walter Hill is due in...

Film critic Stéphane Delorme was editor in chief of Cahiers du cinéma from 2009 to 2020. He was a programmer at the Directors’ Fortnight at the Cannes Film Festival when Daddy Longlegs made its world premiere there in 2009.

Bilal Qureshi is an essayist and broadcaster whose criticism and reporting have appeared in Film Quarterly, the Washington Post, and the New York Times and on the BBC and NPR.