Do Ankhen Barah Haath

Feb 24, 2021 — We’re losing Cinefex but gaining a newly robust Screen Slate. And the new Cineaste is out, along with this year’s Hollywood issue of Vanity Fair.

Feb 23, 2021 — Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...

Feb 19, 2021 — It was the early sixties, and Brigitte Bardot, Jeanne Moreau, Catherine Deneuve, and Delphine Seyrig were the stars in our sky. When I first met Jean-Claude Carrière, about fifty-five years ago—he was thirty, I was twenty-three—we were working on the...

Feb 16, 2021 — Reviews are strong for the biography of the unique theater and film director, comedian and actor.

Feb 16, 2021 — “Me myself, I prefer literature,” the Senegalese author-filmmaker Ousmane Sembène tells a group of African students in the 1994 documentary Sembène: The Making of African Cinema. “But in our time, literature is a luxury.” Sembène’s historical conjuncture—Africa’s putative transition from...

Feb 12, 2021 — The virtual first half of this year’s festival will premiere new work from Céline Sciamma, Hong Sangsoo, Dominik Graf, and Ryusuke Hamaguchi.

Feb 11, 2021 — The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...

Feb 10, 2021 — In 2009 I was working at Technicolor in Rome on a new remaster of Michelangelo Antonioni’s Identification of a Woman. I was with my colleague Fumiko Takagi, who was helping out with Italian-English translation during a conversation I was having...

Feb 10, 2021 — Carrière was a humble and eager collaborator, working with Buñuel, Forman, Malle, Oshima, Schlöndorff, Wajda, and Godard.

Feb 9, 2021 — What does parallax mean? It is a term that English speakers are perpetually learning and always forgetting. Leopold Bloom, in Ulysses: “Parallax. I never exactly understood . . . Par it’s Greek: parallel, parallax.” In the technical sense, the word...